This silver-colored vinyl edition is releasing on August 19, and can be pre-ordered on Amazon here for $39.98.īuy Be Here Now Special-Edition Vinyl $43. “The point is that whatever the scenario, it was a lavish statement of rock and roll excess, and was therefore a great basis for an album cover.”īesides the Sonic Editions Be Here Now collection, Oasis fans can also celebrate the seminal album through this limited-edition two-record vinyl package, released in celebration of the album’s anniversary. “Whether or not Keith Moon drove a Rolls Royce, a Lincoln Continental, a Chrysler Wimbledon, or indeed any other car for that matter into a swimming pool and whether or not the pool had water in it at the time does not really matter,” says Spencer Jones. This piece of the album cover was inspired by Keith Moon’s tale of sinking a Lincoln Continental in a swimming pool, which he told to Rolling Stone in 1972. “It’s great to revisit some of the shots and especially the nighttime version which I have restored for the 25th anniversary,” he says.Ģ5 years later, the most memorable element of the Be Here Now cover is, of course, the sunken Rolls Royce in the swimming pool. It was Alice in Wonderland meets Apocalypse Now.”įor the anniversary collection, Spencer Jones went back to the negatives from the 1997 photo shoot. “By 8 p.m., everyone was in the bar, there were school kids all over the set, and the lighting crew couldn’t start the generator. “The daytime session went well, but come evening time everything just descended into absolute chaos,” he says. Taking shots during the day was a backup plan, it was a long shoot,” Spencer Jones tells Rolling Stone. “The cover to Be Here Now was originally going to be a night shoot. The Oasis Be Here Now anniversary collection photos all come courtesy of photographer Michael Spencer Jones, who shot the legendary album cover back in 1997. Below is his commentary on a selection of 10 of those albums "on the wall.Buy Oasis Be Here Now x Sonic Editions $139+ My dad is a former adman and now an adjunct professor of advertising and marketing, so he is himself an "expert of sorts" in branding and design. Today, I work mostly in audio, creating audiobooks and podcasts, and while it's a different medium, I was very fortunate to have my interest in audio encouraged from such a young age. Some of them, my dad and I saw together in concert, from a 2018 Electric Light Orchestra show to multiple Bruce Springsteen shows. I picked these album covers based solely on how they looked, but many of them ended up becoming bands I listened to, after making a Spotify playlist I called "Music On The Wall" so I could become familiar with all these albums I'd seen for so many years. Then, before I could drive, he would take my friends and me to shows, and over the years, we have continued to see our favorite bands together at venues intimate and large. Not long after the albums went up, he took me to my first concert, the Live 8 Festival in Philadelphia. And, inspired by the albums I saw every day, I became deeply interested in music, following my dad's footsteps. If guests visit, they stay in this room, sleeping beneath the albums, and I love visiting my parents and seeing these albums that have been there for years. With a hammer and my dad's help, soon I had a music mosaic on my wall.Įighteen years later, the albums still hang on the wall. My criteria? Honestly, at that age, I didn't know many of the artists, except the most famous ones, so I went purely on instinct: Which ones looked the coolest? I narrowed it down to 50, and then to the final 25, creating a collage on the floor until their placement felt balanced and perfect. So, I brought all 500 albums downstairs and laid them out one by one. The albums had been sitting in dusty milk crates, and now they would be displayed like the art that they were. I wasn't sure if my dad would agree with hanging them-after all, it could damage the condition-but he was excited. I'd pored over these album covers before, feeling like they were too cool to be holed up in our attic. From a stroke of 10-year-old inspiration, I decided to fill one of the walls with record covers. I chose two colors-bright orange and a highlighter pink-and loved it, but felt the room needed even more. Shop album-cover art prints featuring an endless array of unique designs by independent artists. When I was 10, in 2004, I switched bedrooms with my brother, and was told I could paint the room whatever color I wanted. We'd go on iTunes together, and I'd watch as he downloaded digital versions of his favorite albums. Growing up, he got me my first Walkman and CDs, and I remember our excitement when he ordered one of the first iPods. A lifelong music fan, his record collection spans 500+ albums, many of which were collected during his years as a radio DJ in the late 1970s and early '80s. My father (Andy Merz) introduced me to the power of a great album.
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